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Ballade For San - Edward Vesala - Satu (Vinyl, LP, Album)

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8 thoughts on “ Ballade For San - Edward Vesala - Satu (Vinyl, LP, Album)

  1. Levykauppa Äx: Vesala, Edward tuotteet (CD, LP, Käytetty LP) Muutama kuukausi sitten tilasin Teiltä The Robots:n levyn We Are Everywhere.
  2. Edward, Edward: Your hawk’s blood was never so red, My dear son I tell thee, O.' 'O, I have killed my red-roan steed, Mother, mother: O, I have killed my red-roan steed, That once was so fair and free, O.' 'Your steed was old, and we have got more, Edward, Edward: Your steed was old, and we have got more, Some other evil ye fear, O.'.
  3. I ran out and bought this great album the very next day (summer of '72). I immediately dubbed the album to open reel tape and have loved this awesome music for almost 40 years. I still listen to the tape a lot, but I am selling the rarely played LP on eBay. If anybody wants a mint copy, look it up on eBay, It's a killer album! AM.
  4. Jan 01,  · 'Ballade For San' has a muscular solo from Tomasz Szukalski on tenor and a delicate trumpet interlude from Palle Mikkelborg, Tomasz Stanko has a couple of good solos, and Rypdal and Szukalski are further featured elsewhere. Vesala does not solo but is a vigorous drummer and seems to control the music throughout.5/5(3).
  5. A school-mate gave me this album in the seventies and I recorded it on reel-to-reel. The first half of the tape was Sabbath´s Paranoid, so I listened quite often. It´s A Beautiful Day was the perfect antithesis to Black Sabbath and I liked this album a lot. In fact I like it better than the all too pretentious, well-known first LP.
  6. Jan 14,  · Label: ECM Records - ECM ,ECM Records - • Format: Vinyl LP, Album • Country: Germany • Genre: Jazz • Style: Free Jazz, Contemporary Jazz Edward Vesala - Satu (, Vinyl /5(42).
  7. ECM series (12 inch LP) ECM not used ECM Mal Waldron Trio - Free At Last Mal Waldron, piano; Isla Eckinger, bass; Clarence Becton, drums.
  8. If one compares Satu (ECM, ) with Lumi (ECM, ), Vesala's first collaboration with Haarla, there's a significant stylistic shift towards more through-composed music. The free play that defined Vesala's earlier work is still there; but so too is more purposefully defined orchestration and an almost paradoxically structured chaos.

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